|
| PLATE 1 -
A BEGINNING |
|
|
UNTITLED - 1949 - 9" X 12" - Water color.
Every artist has to start somewhere. This water color is all that remains of that beginning.
The piece is dated 1949, which would make me all of twelve years of age.
|
|
|
PLATE 2 |
|
|
CRUCIFIXION - 1957 - 32" X 18" - Oil on wood.
I was in my beginning year as an art student when this work was painted. As with most art students, art supplies were hard to come by. In my dormitory room there was an old dresser . One of the drawer bottoms had fallen out. As I was always looking for something to paint on, I used the wooden drawer bottom.
|
|
 |
|
|
| PLATE 3 |
|
|
BLUE CLOWN
- 1958 - 24" X 36" - Oil on
canvas. I remember giving
this painting the nickname, "Sad
Clown." Perhaps a self portrait.
The clown [my self] seems to be
resting on the edge of a stage,
peering and reflecting at the
action taking place before him.
Not participating. I recall, at
the time, being a bit
embarrassed by this work . I
felt it was very self-revealing.
|
|
|
PLATE
4 |
UNTITLED
- 1961 - 32" X 26"
I
was exploring the craft of making
pictures ,
many times changing from representational
images to abstract.
|
|
|
|
 |
|
|
| PLATE
5 |
APPARITION
- 1961 - 32" X 26"
|
|
|
|
|
PLATE
6 |
UNTITLED - 1961 - 24" X
32"
|
|
|
|
 |
|
|
| PLATE
7 |
MOORED
FLEET
-1963 - 40" X 24" -
Oil on canvas. This work was
painted in my small room at
the YMCA in the spring of
1963. It was my
interpretation of Puget Sound
and fishing boats in the rain.
|
Within
days I started to paint in this
12' x 12' room. There was a tiny
window that overlooked Puget
Sound. I was able to borrow an
easel from the "Y" and
worked every day.
|
|
|
|
PLATE
8 |
PUGET
SOUND
- 1963 - 12" X 24" -
Oil on Panel.
|
|
|
|
 |
|
|
| Untitled-2 |
Other
works were my impressions of the
trip through the mountains on the
way to Seattle.
|
|
|
|
|
Untitled-6 |
I
was also combining those
images with images of the East
Coast. Tidal marshes, the
Chesapeake Bay and trees would
replace the vertical masts of
the fishing boats. However,
the one predominant element of
all the paintings completed
that summer was the horizon
line.
|
|
|
|
 |
|
|
| Untitled-3
(Damaged Slide) |
|
|
|
|
|
|
PLATE
9 |
|
|
BEACH SHACKS - 1963 -
24" X 18" - Oil on
canvas. I feel this is a
significant piece. It
was a first, with the high
horizon line and minimal
composition. As a
child, on many levels, I was
accustomed to loneliness.
Visually, what I was seeing
translated to deep emotions.
I saw what, I as a
child had felt.
I found, in the natural
world, a human emotion.
In the years to come, this
emotion would translate into
images of desolation, empty
space divided by a single
horizontal line.
|
|
|
 |
|
|
|